There are two ways you can start makin’ out with granny, you can either storm the loft and pound it out on the piano or head off to the chemist and howl and yowl. Now if that sounds a little cryptic, weird, or downright unsettling then let me explain. There are, as far as I know, 2 different recorded versions of the classic Falling Mirror track ‘Makin’ Out With Granny’. The first appears on the ‘Zen Boulders/The Storming Of The Loft’ 2for1 CD which starts with a ominous piano riff. Then there is the version that appears on the ‘Johnny Calls The Chemist’ CD which start with a yowl and howl of guitar.
Whichever version you chose, both are a bit weird and downright unsettling. And that what makes it such a great song. Nielen Marais’ vocals are edgy, dirty and quite frankly psychotic. The lyrics about a granny holding shotguns to your head, wounded minds and grannies filled with hate, do nothing to ease the sense of unease within the song. Throw into this Alan Faull’s searing guitars (in one version) or a hypnotic, slightly psychedelic but menacing repeated piano riff (in the other version) and you have a perfect mix for the perfect psycho-rock-pop song.
‘Makin’ Out With Granny’ is as tense and edgy as the name of the band. Falling Mirror counjures up images of slow motion scenes predicting impending disaster and bad luck if the mirror shatters. ‘Granny’ is not a slo-mo-vrou, but everything about her screams out a disaster about to happen. The song is the musical equivalent of a good horror movie.