1001 South African Songs You Must Hear Before You Go Deaf

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Archive for the category “Wonderboom”

Shadows – Wonderboom



When you take on a classic, you often take a huge risk. ‘It’s not as good as the original’ or even, ‘why don’t they just leave the old songs alone, you can’t make it better’ will often be thrown at you, invariably by the older generation who grew up with the original. And I must admit, I am like that sometimes with cover versions or remakes of films that I grew up liking.

However, with Wonderboom’s take on arguably the best South African track of the 80s, I am quite content to sit back and enjoy one of my favourites being given a update, and I did my growing up in the 80s. Wonderboom are one of a handful of South African acts who could have pulled this off in this style, injecting the the old ‘bundu bush’ ethno-punk original with a hard edged rock swagger and the result is an in-yer-face, wall-of-sound song that retains the feel and tune of the original, but has dragged it through the bush backwards into the naughties.

It is a much more straight forward cover than their take on Rabbitt’s ‘Charlie’ where they took that one and turned it into a heavy kwaito track and I would have to say it is not as good as the original (because I am old), but it certainly shows respect to the éVoid version and as one who grew up with the original, you can’t ask for more than that. Like nearly every cover of a classic, this will live in the, erm, shadow of the original, but it is not so pale that you can hardly make out the details shadow. It is a clear, well-defined one created by a sharp African sun, it is one that demands to be noticed.

Where to find it:
Rewind – Wonderboom (2001), David Gresham Records, CDDGR 1533


Santana Sessions:

Charlie (Ain’t Slavin’ 2 Da Habit) – Wonderboom

Charlie (Ain’t Slavin’ 2 Da Habit) – Wonderboom



When Rabbitt recorded ‘Charlie’ it was a ‘sleek Labrador with a shiny coat’ of a song. Wonderboom turned it into a snarling, growling pitbull. In the quarter of a century that passed between Rabbitt’s original and Wonderboom’ cover (yes it was that long), rock had been taken out the hands of the pretty boys and unceremoniously dumped into the laps of grungy, tat covered hardcore guys.

Another development in South African terms was the rise of kwaito in the townships and Wonderboom flavoured their hard edged rock sound with the kwaito beats to give us this pounding, snarling version of the old classic. Lead singer Cito and guitarist Martin Schofield battle it out in the vocal department, reaching their peak on the chorus with Cito taking control of the catchy chant of “Charlie! Charlie! Charlie!” while Martin’s blunter voice takes the rap-like “I ain’t slavin’ 2 da habit”.

Dad’s back in the 70’s would probably have worried about their daughters going out with those wild boys in Rabbitt, but after hearing this version, they would be crying out for a nice clean cut Rabbitt boy to take his daughter out, rather than letting these Wonderboom lads near her. However, musically, the ‘Booms took the classic song by the scruff of its neck and dragged it into the new millennium where it can now be heard kicking and screaming and having one helluva party. Apparently Patric van Blerk (who wrote the song) likes this version. And why not? It’s a great cover of a great song.

Where to find it:
Rewind – Wonderboom (2001), David Gresham Records, CDDGR 1533


White Lines – Wonderboom

White Lines – Wonderboom



Despite Wonderboom’s penchant for cover versions (they have produced 2 albums of just covers), this is not a re-hash of the Grandmaster Flash classic. Besides which, the ‘Booms tended to keep their coverings to local songs in the main. The second thing to know about ‘White Lines’ is that, unlike the Grandmaster Flash song, this one is not about drugs. Rather, it is the funkiest rock song the planet has ever heard about being pulled over by the fuzz. (Some may argue that ‘Fokofpolsiekar’ should get that title, but the latter is just not funky).

Just listen to the start of the song and you’ll see what I mean about it being funky. Before Cito begins to enlightens us about how he was stopped at a roadblock and how the police were “chatting up my girlie”, Martin Schofield is already strutting out a riff so funk laden that it would have even the most hardened speedcop nodding his head in time to. The song then explodes into the chorus about walking the white line. This is Wonderboom at their best. Tuneful, witty and rocking (althought there is some questionable rhyming in the one (white) line “in the slammer/hammer/sorry ek is jammer”).

This is one white line that is not to be sniffed at.

Where to find it:
Tell Someone Who Cares – Wonderboom (2003), Gresham Records, CDDGR1561

Trippin’ – Wonderboom

Trippin’ – Wonderboom (One to stumble upon)

Tell Someone Who Cares – Wonderboom (2003), Gresham Records, CDDGR1561

Tell Someone Who Cares – Wonderboom (2003)

Wonderboom have grown to be one of the most popular bands in South Africa. The energy they generate is infectious and they tend to make a rather feel good kind of rock. They have also been the forerunners in paying homage to South African music with 2 albums of covers of SA classics (Rewind and Hoekom) such as ‘Shadows’, ‘Charlie’ and Juluka’s ‘Africa’.

Trippin’ which appeared on their album ‘Tell Someone Who Cares’ finds them in a quieter mood. It features a swooping chorus and strings that bring a relaxed feel to the usual frenetic pace the group take. Perhaps the clue’s in the line, ‘Everybody’s getting louder and everybody’s getting harder baby, except for me’. But this is only true of a few of their songs for two songs later on the album, there is the noisy, energetic ‘Soul Doubt’ which makes one question the permanence of the claim. It’s possible that the slower one was written to impress a girl (it’s been known to happen).

Whatever the reason for slowing things down, rest assured that Wonderboom are more than capable of doing so in style and tune without becoming too sentimental. And yes, some of their more energetic stuff will feature later on in this list.

Where to find it:
Tell Someone Who Cares – Wonderboom (2003), Gresham Records, CDDGR1561


The sun it rises everyday
Or so I hear some people say
I don’t know I must’ve been away
Everybody’s getting louder
And everybody’s getting harder
Baby, except for me

Trippin’ on the moon, you could see me
Trippin’ on the moon
On that lazy cosmic afternoon
If you look around and I’m not in my room
Trippin’ on the moon

Don’t ask me now I’ll tell you later
I’m having lunch with my Creator
In a while – crocodile
If you left it up to me
I’d lift you up for all to see now
Baby, we’ll reconcile

(Written by Wonderboom)

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